Showing posts with label Short story. Show all posts
Showing posts with label Short story. Show all posts

Friday, April 13, 2012

Creative Dreaming, Transitions, and New Directions

Hang gliding
Hang gliding (Photo credit: Wikipedia). This might even have launched from the Saleve.
Jean Purcell

He's about ready to fly...that's what he's made for
Call me a dreamer or not, I love new experiences. Don't most of us? Yet many times we need a new push to get us going. 

A friend once gave me a card that said, "A ship is safe in a harbor, but that's not what ships are made for."

My life was so full of change then that I could hardly keep up. Yet, the quote made me think about what I might dream of doing. 

I'll take risks, won't you? Maybe we take them sometimes without giving it a lot of thought. But that's for small things, not larger ones.

We get excited when we hear in our heads, You should go for it! We like the Nike slogan, "Just do it!" That sells a lot of shoes.

But that's what I've been telling myself recently about a change of choice. Go for it! Fly with it!

Some decisions are huge, or as some say, ginormous! It is not a simple thing to cut back or to leave altogether what is most familiar and comfortable that came through big investments of time and heart.


Who does not deal with dreams of doing untried things? When (1) the timing looks just right, (2) the desire to be willing to launch, to fly is strong; and (3) we can be happily,...
  • at peace about leaving the familiar;
  • loving the process of taking off in a specific, new direction;
  • ready and willing to take the risk and the responsibility...
the decisions seem to flow.  
I think we need to take off in new creative directions, even if there is a bit of fear involved. We know how our mind has been working, thinking, hoping, planning. Eventually, we are ready to try in public, to celebrate the effort of the adventure that is happening at that certain time that is free for change and most ready.


Even when circumstances appear to pour ice over our plans, that's when we most need to keep working the creative thoughts. It's an inner thing, not necessarily survival-related yet in its own way a kind of "saving" by releasing energy toward doing what is already in us waiting to be expressed. There are no guarantees, yet...

And what if there are just certain things we can't yet do, change we can't yet arrange or manage, for whatever reasons? You and I might be amazed to find how much we can change within the same circumstances that we think are keeping us where we are.

One day we will look back to the times and places of these moments and days and have the opportunity to realize that we better understand these words:  

There is nothing like returning to a place that remains unchanged to find the ways in which you yourself have altered. 

(Nelson Mandela, A Long Walk to Freedom_Source).

Yeah!

Copyright 2012
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Monday, April 9, 2012

Short Story Editing_THE VISITOR

Short Story Writing Workshop
Short Story Writing Workshop (Photo credit: MadLabUK) Flickr
Jean Purcell
The third and final part of my first short story, in draft, is posted on Opinari Writers now. I hope short story lovers and writers will comment. Be as forthright or blunt with critique as you need to be. Be specific, please. No general comments that do not give me any good feedback I can use. 

Thanks!

The next phase for me is to give some tough editing after I join the three parts as a story draft. Rewriting will happen as part of tough editing.

I'm thinking of trying to shorten the story (in draft it's over 5,000 words). 

Word count for a short story can be anywhere from 500 to 9,000 words, according to general rules. There is no clear cut rule limit, but a very long short story becomes a novella. 

I'd like The Visitor to be about 3,000 words or less. 

You can bet I have no idea yet if that's a do-able goal for me...without taking too much from the story. 

I hope the two main characters, the mother of Elizabeth and the young professional woman, Catherine, will keep your interest. Other characters include Elizabeth, her brothers and their families. In the discussion are Catherine's family as well, by way of some background and information.

I'll update when the next draft, or the final, is ready.

Meanwhile, would you read and comment, briefly or at length? Or, pass it along to someone who might critique/comment? 

I'm determined to keep working at this genre of writing!
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Thursday, March 29, 2012

Finishing The Visitor short story

Anton Chekhov - St. Peter's Day
Anton Chekhov - St. Peter's Day (Photo credit: literaturarussa)
Update 6/13/12_Most recent draft will be on Opinari Short Story blog soon (last updated 4-22-13).

I dropped the pen name for this story.
I underestimated the short story craft in the past.The short story remains one of the most challenging genres for this writer.

Chekhov is a beloved Russian writer. He mastered and set a standard for the short story. It's worth the time to read one or two of his stories, at the least. Read more of Chekhov's stories (they appear in English and other languages other than Russian) and learn more.  


    I hope for comments because I think I should listen to voices of short story writing experience.

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Wednesday, March 21, 2012

Mystery Puzzle Development: THE VISITOR short story_Part II

This image shows the family tree of Noami, the...
This image shows the family tree of Noami, the narrator of Joy Kogawa's novel "Obasan". (Photo credit: Wikipedia)
Is the visitor mad (mentally unsettled)? Is the visitor correct? Is the narrator unsettled in her mind? Is the daughter imaginary? That last question the reader knows the answer for (as of Part II): the daughter (or not?) is a real person, a highly respected surgeon at a leading hospital and well-known as a teacher/public speaker as well. 
     How did this story begin to develop? Its opening scene just showed up, Part I.
 
Part II of The Visitor is now on-line. The Visitor comes into the narrator's home again and is, still, "unchanged." The fact that the visitor accepts an unlikely invitation to dinner (E's idea) fails to indicate to the narrator the change she feels she must see and believe. Yes, the visitor sits at the dining table; she meets and eats with the narrator and her two sons and their families; and she sees the family "hall of fame," as one son calls it, without comment.  

This time the visitor shows no sign of insistence that E is not the narrator's daughter, as she did the first time she came to the door, almost a stranger. And, there is no evidence that she holds it against the narrator that, on her second visit, she was not invited into the home again. 

However, her presence at dinner this time, in the home, does not include any acknowledgment that Elizabeth, known as E by her family and a prominent neurosurgeon, is truly the narrator's daughter, as the narrator claims. Accepting E's family identity is the change that the narrator is looking for in the visitor. 

I have wanted from the beginning to form a puzzle, like a little mystery, in this short story. Whether or not the mystery hides something highly or slightly significant is not yet clear. Two hints appear with Part II. One is visual and the other sits in the text. What will it take to solve the puzzle in the reader's mind? Perhaps Part III, not yet titled, will provide the answer. To solve the puzzle, the key question is about identity regarding one, single attribute. I wonder if any reader has guessed what that is. And why are we not told the narrator's or the visitor's names?


Alec Powers (c) 2012 - "I find the term 'psychological speculation' useful ..." (see When Nights Were Cold, below)

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Friday, March 9, 2012

Short Story-Developing part two: The Visitor Returns, Unchanged

Nederlands: Het Short Story bushokje op transf...
Image via Wikipedia


Alec Powers

The process underway is my first short story, about a main character who is a woman. I am working to get her "voice" just right. She is the one who entertains the visitor in the first installment of this effort to create a mystery of sorts...no murder, no thefts, no kidnappings or ... threats?

The Visitor's main character had an older friend years ago whose granddaughter suddenly shows up at her front door. The woman opens the protective glass storm-door and invites the visitor inside her home. Before long the visitor becomes vehement and somewhat scary. At the least, she seems very strange as she insists that the woman's oldest child, a daughter, is NOT her daughter. The title for part one is now The Visitor: Atheism or Mystery. Original title was The Visitor: Atheism and its Effects. Working title for part two, underway now, is The Visitor Returns, Unchanged. 

Is the visitor mad (or, at least mentally unsettled)? Is the visitor correct? Is the woman a bit unsettled in her mind? Is the daughter imaginary? That last question the reader knows the answer for: the daughter (or not?) is a real person, a highly respected surgeon at a leading hospital and well-known as a teacher/public speaker as well.

How did this story begin to develop? Its opening scene just showed up. Might it be introduced into another story underway now but not yet posted anywhere? Might it fit into Lillie/Lyly's story? No idea...yet.

First challenge then is to learn how to write a short story as I go along, knowing the basics of fiction writing, having written a true story as true, yet in fiction style. That one was in first-person narrative. This one is also, and other characters will speak through her as she hears them and relates to them. Especially her oldest child of five, a daughter (?).

Copyright 2012 by Author Support blog for Alec Powers 
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Thursday, March 8, 2012

Story-Writing_Getting Started on The Visitor

by Alec Powers



A few days ago, I finished the opening parts of The Visitor, a short story for Opinari Writers blog. After I promised a second installment, I began to work on it, continuing to write in the voice of an older woman.

The story has an outline. I have main characters, contexts, motivations, story-line, and a mystery behind the bizarre behavior of the visitor. 

Now the challenge takes me toward readers while leaving them in the dark, putting some facts in the light of day. I do not intend to make solving the case too easy.

The main challenges of telling every story, whatever it's about, is building interest and suspense. It turns out that my story involves the Islands, England, Nordic heritage, to mention a few, but the location of the interactions does not change much.

For The Visitor, I don't intend to need shelves of research books. There will be some, but not intensive. I don't want to bog down in details. For now I've committed myself and will go forward.

You likely know what makes a story keep you glued to the pages if the subject can grab you.

Good-bye for now.  

Copyright 2012 by Alec Powers 
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