Showing posts with label Alec Powers. Show all posts
Showing posts with label Alec Powers. Show all posts

Tuesday, March 13, 2012

Pen Names and When to Admit Them

Holding a Ruling Pen.
a ruling pen_Image via Wikipedia
In the middle of writing the draft for the second blog installment of a short story effort called The Visitor,  it's time to mention that Alec Powers is a pen name.

Mark Twain, one of the most familiar pen names, may have been writing for quite a while before he owned up to being Samuel Clemens. Would we prefer that he had used his real name? I doubt it. 

Alec Powers is the second pen name I have used. Jane Bullard was the first, for Not All Roads Lead Home. I have written a few times about why I chose to write my first book as Jane, not publicizing that it was I who was the author. Using a pen name does not require giving the writer's real name

In this age when many authors do not use pens, but choose word processing, where are the pens involved most of the time? I miss the images of the inkwell and sharpened feather quills, the latter of which inspired pen name as a way to describe a writing name.

Who is surprised to remember that one of my favorite books is Gap Creek written by a man in a woman's voice. When I first read it, I wondered if Robert Morgan  was a pen name for a female author, but it does not appear to be so. He so effectively expressed the speech and patterns of a woman and a woman living in a remote area in the southern U.S.

I'll write more on this blog as I continue to practice the short story, for me a new genre and one of the most challenging.   

(c) 2012 by Author Support blog and Jean, Jane, and Alec

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Friday, March 9, 2012

Short Story-Developing part two: The Visitor Returns, Unchanged

Nederlands: Het Short Story bushokje op transf...
Image via Wikipedia


Alec Powers

The process underway is my first short story, about a main character who is a woman. I am working to get her "voice" just right. She is the one who entertains the visitor in the first installment of this effort to create a mystery of sorts...no murder, no thefts, no kidnappings or ... threats?

The Visitor's main character had an older friend years ago whose granddaughter suddenly shows up at her front door. The woman opens the protective glass storm-door and invites the visitor inside her home. Before long the visitor becomes vehement and somewhat scary. At the least, she seems very strange as she insists that the woman's oldest child, a daughter, is NOT her daughter. The title for part one is now The Visitor: Atheism or Mystery. Original title was The Visitor: Atheism and its Effects. Working title for part two, underway now, is The Visitor Returns, Unchanged. 

Is the visitor mad (or, at least mentally unsettled)? Is the visitor correct? Is the woman a bit unsettled in her mind? Is the daughter imaginary? That last question the reader knows the answer for: the daughter (or not?) is a real person, a highly respected surgeon at a leading hospital and well-known as a teacher/public speaker as well.

How did this story begin to develop? Its opening scene just showed up. Might it be introduced into another story underway now but not yet posted anywhere? Might it fit into Lillie/Lyly's story? No idea...yet.

First challenge then is to learn how to write a short story as I go along, knowing the basics of fiction writing, having written a true story as true, yet in fiction style. That one was in first-person narrative. This one is also, and other characters will speak through her as she hears them and relates to them. Especially her oldest child of five, a daughter (?).

Copyright 2012 by Author Support blog for Alec Powers 
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Thursday, March 8, 2012

Story-Writing_Getting Started on The Visitor

by Alec Powers



A few days ago, I finished the opening parts of The Visitor, a short story for Opinari Writers blog. After I promised a second installment, I began to work on it, continuing to write in the voice of an older woman.

The story has an outline. I have main characters, contexts, motivations, story-line, and a mystery behind the bizarre behavior of the visitor. 

Now the challenge takes me toward readers while leaving them in the dark, putting some facts in the light of day. I do not intend to make solving the case too easy.

The main challenges of telling every story, whatever it's about, is building interest and suspense. It turns out that my story involves the Islands, England, Nordic heritage, to mention a few, but the location of the interactions does not change much.

For The Visitor, I don't intend to need shelves of research books. There will be some, but not intensive. I don't want to bog down in details. For now I've committed myself and will go forward.

You likely know what makes a story keep you glued to the pages if the subject can grab you.

Good-bye for now.  

Copyright 2012 by Alec Powers 
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